Agency has 29 nominations; MKT House, DPZ, Ogilvy and DM9 are also on the list
Of the 84 works on the shortlist for the São Paulo 2023 Columnists Award, 29 are from Africa Creative, the agency that leads the number of nominations. Next comes MKT House, with eight works; DPZ and End to End come with six pieces each, and with five, there are the DM9, Ogilvy and Arc.
A highlight of this award was the score for the film ‘Geraes’, by AlmapBBDO for VW. With the votes of 15 jurors, it achieved a unanimous rating of 5, an unprecedented feat in the history of the Columnists Award.
The 2023 Columnists Award was held in six regions. In addition to São Paulo, the competition analyzed work from agencies in the North-Northeast, Brasilia, Center-East, Rio de Janeiro and the South region.
Jurors
44 professionals from agencies, producers and journalists voted for the work of Colunistas So Paulo: Adonis Alonso (Adonis Blog), Alexandre Mota (End to End), Amanda Rodrigues (Ogilvy), Ana Cavalcanti (Talent), Andr Pessoa (CC&P), Andriws Vilela (Wieden+Kennedy), Bruna Rocha (Elkis18), Bruno rnica (Ampfy), Daniel Schiavon (BETC Havas), Daniel Velehov (Calia), Deborah Vasques (AlmapBBDO), Denon Oliveira (VML), Dorinho (USP), Eric Fernando (Leo Burnett Tailor Made), Fbio Lattes (Santa Clara), Fabio Porto (WMcCann), Felipe Guntovitch (The Group), Felipe Luz (FutureBrand), Fernanda Cepollini (Execution), Fernanda Peka (Grey), Fleytcher Soares ( Tech and Soul), Gustavo Bastos (Onzevinteum), Jaima Ribeiro (LewLara), Joo Brito (Propeg), Jos Spagnuolo (Akm Performma), Kelly Dores (Propmark), Laura Esteves (DM9), Leandro Dolfini (DPZ), Leandro Pozza (Outpromo), Luiz Parpulov (Mestia), Marcelo Coelho (Cello) (Moma), Marcio Ehrlich (Janela Publicitria), Marcio Esher (Holding Clube), Marcus Vincius de Souza (MKT House), Marina Tonon (Dentsu Creative), Mayara Sauer (Artplan), Nilton Pires (F&MD), Paulo Lima (Nova), Renata Rico (Adag), Renato Kak (Rock), Shingo Sato (Design Bridge), Tati Piovezam (ARC), Thiago Lins (FCB Brasil) and Vanessa Jansen (We).
